Monday, February 26, 2007

Three In One



Just as Oscar-nominated film Babel was three stories woven into one movie, here's three thoughts, apropos of nothing.

One: Well, at least I guessed one right: That Babel would win for Best Original Score. If you've been meaning to fill-out your North African, Mexican or ambient classical playlists, this score, composed by Argentina's Gustavo Santaolalla, combines all of the above with haunting contributions from Hamza El Din, Ryuichi Sakamoto and Susumu Yokota.

Item Two: Not sure how I missed them, but Stones Throw has some absolutely ill podcasts on offer. Their "Thank You Dilla" made a believer out of this casual fan (nuff Common, De La and Slum Village joints in there), and their James Brown tribute has a an original twist that's too good to reveal. Just listen.

Verse Three: On the sing a song of myself tip–I have a new job. I'm trying to raise a fist at The Man and get some young activist writers paid...so holla.

And oops, the cat dragged in this nugget: Coming soon–La Bodega or The Global Village Gets Busy, my new monthly at Otis. The jump off: March 29 with DJs B-Love and Similak Chyld.

Sunday, February 25, 2007

Taxi Accelerates

A new Unmetered Taxi speeds Sly & Robbie back into the charts.


What goes around comes around. In the world of recycled reggae rhythms (riddims) this is particularly true. Just when you think you’re shocking out to a wicked new piece of riddim, some dancehall scholar informs you that the beat was originally recorded in 1968 at Coxsone Dodd’s Studio One, or in the '80s at Junjo Lawes’s Channel One studio. So much for musical innovation. But one production team doing it back in the day continues to find contemporary success. In recent months, drummer Lowell “Sly” Dunbar and bass player Robbie Shakespeare, affectionately known as the Riddim Twins, have chalked up number one singles and Grammy winks.



Sly & Robbie’s pedigree goes back to their 1970s musician gigs forming Jamaica’s Aggrovators and Revolutionaries session bands, through disco crossover success with Grace Jones, and even a shout out on Tom Tom Club’s “Genius of Love.” They backed Black Uhuru on their Grammy winning Anthem (Mango) album, and recorded Ini Kamoze’s prophetic song “World A Reggae,” which features the vocal hook “out in the streets they call it muuuurrrderrr” that propelled Damien Marley’s “Welcome To Jamrock” single to fame.

Throughout the duo’s 30-year partnership they’ve also made a significant impact on reggae via their Taxi Records imprint. The label has seen hits over the years by Dennis Brown (“Hear I Come”), Jimmy Riley (including an excellent and cheesy cover of Marvin Gaye’s “Sexual Healing”) and The Mighty Diamonds (“Pass The Kutchie”). But the pair has hardly rested on their mixing boards.


A decade ago, Sly and Robbie reached dancehall heights with their smash 1992 riddim “Bam Bam” heard on Chakademus & Pliers’s gargantuan hit “Murder She Wrote.” The riddim never really died out in global dancehalls, and the always street-savvy guys easily revived “Bam Bam” in 2005, producing new hits by Bounty Killer, and the duo Sugar Roy and Conrad Crystal. But they weren’t through reaching into their classic riddim vault.

2006 saw new versions of their Dennis Brown riddim “Hold On To What You Got” for singles by Luciano and Jr. Kelly; they rewound Jimmy Riley’s 1981 lovers rock tune “Love & Devotion” for a set of 45’s, and finished the year atop the charts again, appropriately enough via their iconic 1982 groove “Unmetered Taxi.” The languid, sax-sprinkled instrumental proved a potent backing for Buju Banton’s biggest Jamaican hit in a decade, “Driver A,” lifted from his equally successful and Grammy-nominated Too Bad (Gargamel Music) LP. To date, “Unmetered Taxi” has not only spawned several knock-offs from producers like King Jammy, but the riddim undoubtedly re-launched Banton’s career at the highly competitive Sting concert in December.

More recently Sly & Robbie have worked with young vocalists like UK crooner Bitty McLean and Jamaica’s Abijah. Oh, and looks like something else has come around for the pair, another Grammy nomination for their 2006 album Rhythm Doubles (Taxi). Unfortunately this past February 11 the Twins didn't double their gold statues, but their accomplishments will also last a lot longer than some meaningless Hollywood statue. The Taxi Gang speeds onward!

Wednesday, February 21, 2007

Rain & Releases


Its raining in San Francisco. Its a delicate, half-hearted downpour, but perhaps a prelude to a deluge.

For those outside of the city, our mayor, Gavin Newsom, had an affair with his secretary , a married woman, (predictable, pathetic, but no joke) then checked into rehab for alcohol abuse.

The homicide rate has reached a dispiriting 20 deaths, meanwhile a nonchalant attitude toward youth violence in our city prevails. Although to some the rain of bullets is a trickle so common that we hardly notice, I suspect there's a thick, dark cloud that looms just over the horizon.


In my work with struggling high school English students, every tremor in their neighborhoods triggers an earthquake of emotions at school and home. Everyone has a cousin, brother or neighbor who's suffered violence or its aftermath. This makes getting to school, let alone remembering one's books a task in itself. But in a city like SF, this is all lost amongst the latte foam, even as tons of well-intentioned non-profits and change agents try and offer support to youth in the crosshairs.

Somehow, its not enough.

I don't mean to sound bleak, but the epidemic of youth violence in my city is something I have vowed to make my issue of focus for 2007, and ForwardEver welcomes your positive suggestions to turn the tide.

Here's my initial, unscientific top three ideas to address youth violence in America:

1) Increase funding for public education on all levels, with special emphasis on increasing the number of Middle and High School programs that address life skills (computing,internships, college funding).
Kids are smart and take to things quickly once they learn the navigation system. With life streaming by like the CNN news ticker, adults have abandoned their life coach roles in favor of "getting things done". The few Boys and Girls clubs and community-based organizations do their best to provide a safety net, but wouldn't it be better if every neighborhood had a council center to offer all youth services–rec, counseling, jobs, fun–under one roof? Those who dream that big in America usually don't live very long.

2) Delay school start times to 9 a.m. and create robust after-school arts, music, vocation and internship training opportunities.
Teenagers need more sleep, and they want to learn to do things, especially in the context of games, entertainment, social events and mentored activities. The number one answer kids give when adults ask teens what they need: "Some one to pay attention."

3) Adults: make a commitment to check in with one kid a day for 30 minutes. Make it about them. Their interests, triumphs, struggles, esteem and efficacy. Simply put, kids need allies.

And because we live in a post-priest abuse & Mark Foley world, I'll add this: Adults, know your boundaries, and act responsibly.

This probably comes off sounding terribly preachy from a non-parent like me. I'm just putting you up on my observations from inside the classroom, where I'm witnessing a slow-motion catastrophe...he says, stepping down from soap box...

I STILL LIKE MUSIC TOO.

Here's our semi-regular look at forthcoming album releases:

key: ARTIST–TITLE–LABEL–COUNTRY–GENRE

Current Releases
Tony Tuff—Say Something—Minor7Flat5—JAM—roots reggae
Winterpills—The Light Divides—Signature —US—indie pop, like Shins, Mojave3
Six Parts Seven—Casually Smashed—Suicide Squze—US—post-rock, indie instrumntl
Biosphere—Circque—Touch—NOR—ambient, IDM, reissue
Detalles—Micros Morning—Kupei—US—minimal techno
Minus The Bear—Interpretaciones—Suicide SqueezUS—indie electronic
Vieux Farka Toure—Vieux—WorldVillage—MALI—acoustic African blues
Drei Farben House—Any Kind ofn Feeling—Force Tracks—GER—dreamy tech-house
Various—Studio One RubADub—Soul Jazz—JAM—reggae, rocksteady

Out 2-17-07—2-28-07
Kerri Chandler—Coast2Coast—NRK—US—soulful house, mix CD
Denzel & Huhn—Paraport—City Centre—GER—IDM, electronic, atmospheric
Noiseshaper—Real To Reel—Miracle Sounds—GER—dub downtempo
Eluvium—Copia—Temp Residec—US—ambient, symphonic indie
Gui Boratto—Chromophobia—Kompakt—GER—techno
Jesu—Conquerer—Hydra Head—UK—heavy indie rock, drone
Tujiko Noriko—Solo—Mego—AUS—experimental pop
Various—Thisish Vol 1—Thisish—US—instrumental hip-hop
Ojos de Brujo—Techari—Six Degrees—SPA—electronic-flamenco


Out 3-01-07—3-17-07
Wailing Souls—Classic Cuts78-84—Greensleeves—JAM—roots reggae, 12” versions
Barrington Levy—Englishman—Greensleeves—JAM—roots reggae
Blue Six—Aquarian Angel—Naked Music—US—house, lounge
Tinariwen—Aman Iman—WorldVillage—MALI—Malian blues, rock
Azam Ali—Elysium Remixes—Six Degrees—IRAN—Persian-global remixes
Various—Johnny Greenwd Contrl—Trojan—JAM—reggae classics
Lanu—This Is My Home—Tru Thoughts—UK—nujazz, broken beat
Various—Kings of Reggae—BBE—UK—reggae, 2CD
Damero—Happy In Grey—Bpitch—GER—avant-electronic pop
Hauschka—Room To Expand—Fat Cat—UK—neo-classical, post rock
Various—Morris/Audio Vol 3—MorrisAudio—GER—microhouse, techhouse
Phat Kat—Carte Blanche—Look—US—hip-hop, Detroit MC
Bear Colony—Bear Colony—Esperanza—US—indie electronic
Marcia Griffiths—Anthology—VP—JAM—rocksteady, reggae
Various—Jazzmataz Vol. 4—7 Grand—US—hip-hop, jazz, soul


Out 3-017-07—3-30-07
Thes One—Lifestyle Marketing—Tres—US—hip-hop instrumentals
Up, Bustle, Out—Mexican Sessions—Collision—UK—downtempo, jazzybeats
A Northern Chorus—The Millions Too Many—Sonic Unyon—CAN—melodic indie pop
Various—Bargrooves Black—Navarre—US—house, techhouse
Miguel Migs—These Things—Salted—US—house, downtempo
Poison Arrows—Straight Into The Drift—File 13—US—indie rock, post rock
Various—Deep & Sexy 4—Wave—US—deep house, Latin house
The Field—The Field—Kompakt—GER—minimal, ambient techno
Lusine—Podgelism—Ghostly—US—techno, IDM
Various—Ame…Mixing—Sonar Kollektiv—GER—house, techhouse
Supersoul—Plastic Rap—Metatronix—US—exprmntl hip-hop, danceh

Out 4-01-07—4-15-07
Céu—Ceu—Six Degrees—BRA—Brazilian, electronic beats
Pole—Steingarten—Scape—GER—minimal electronic beats
Nostalgia 77—Everthing Under Sun—Tru Thoughts—UK—jazz, nu-jazz

Out 4-15-07—4-30-07

Various—Mark Farina House—Om—US—deep house mix CD
Calvin Johnson & The Sons Soil–S/T—K Records—US—indie rock, pop
Eliot Lipp—City Synthesis—Metatronix—US—instrmtl hip-hop, IDM
Gudrun Gut—Put A Record On—Monika—GER—experimental pop

Out 5-01-07—5-15-07
Amon Tobin—Foley Room—Ninja Tune—UK—electronic, IDM, jazzy
Cinematic Orchestra—Ma Fleur—Ninja Tune—UK—folkie jazz

Tuesday, February 06, 2007

Written Said


(4hero are back with a stellar album, out Feb 20 on Raw Canvas/Milan)

Its true. The posts have been scarce in the past few weeks on ForwardEver–but its not because F.E. don't love you–rather I've been submerged, writing multiple bits in publications such as San Francisco Bay Guardian, XLR8R, Earplug and others.

Some highlights of the recent scribing:

Reviewing the new 4hero album for SFBG. Its an amazing piece of music, symphonic soul at its best in the spirit of Charles Stepney.

"Over multiple mood shifts the album keeps it’s soul-revival thematic thread intact, conscious not to drown in sentiment. Instead, McFarlane & Clair hit us with futuristic dancefloor tracks like “Something In The Way,” featuring Co-Op Club regulars Bembe Segue and Kaidi Tatham, and “Look Inside,” with vocalist FACE, England’s answer to Chaka Khan. Grammy-winner Jody Watley, chill-inducing poetess Ursula Rucker and even jazz legend Larry Mizell add to the album’s prestige. In short, 4hero’s change opens the door for brilliance."

Reviewing Detroit emcee Black Milk for XLR8R Issue 106:
"Milk’s style recalls RZA or Method Man’s surging, visual poetic verses that hit your cranium with acute urban imagery and vicious metaphors. “Sound The Alarm” with roughneck emcee Guilty Simpson is signature “313”-area code hip-hop: distressed snares, spacey soul samples and dropouts that punctuate the track like aural potholes."

Prepping for a review of the 8-disc King Jammy retrospective Selector's Choice by interviewing Jammmy on the phone in Kingston:
The man was gentlemanly,generous with this time and dropped the following nuggets: 1) He's recorded a brand new album by Ninja Man 2)Jammy has voiced his own first album in his career. That's right, Jammy singing.

What else is new in the Forward Ever camp? Well if you scroll down, you'll see my up coming gig with New York's DJ Swingsett. Should be a wild night of outer-dub explorations, including some live business.

I volunteered at the San Francisco Half Marathon, this past Sunday, taking on the roll of finishing line course monitor. That meant directing 5K runners one direction and half marathon finishers another. It was a super successful race, but questions linger about how accurate the length of the course was. The winner came through in a time of 1 hour 5 minutes, which is damn fast for a small local race with few elite runners. Hmmm...

Ahight, much more in store for you. In the meantime, check out the link on the left of this page for Ninoy Brown--he's moving his dope 'ol hip-hop blog! Catch the next gen now people...

Upcoming: What I thunk of the new Eternals album, Studio One Groups comp and, my News Desk assignment at XLR8R.com.

Forward!

Soon Come

A night of roots, dub and other beats with DJ Swingsett from NYC and more!



Read more here.