Sunday, January 15, 2012

The Dub Continuum: Reggae Inna Dubstep

Fact: The electronic dance music sub-genre dubstep would not exist with out reggae, and specifically instrumental dub reggae. 


Although that's obvious to those familiar with dubstep's decade-plus evolution, for the younger generation, this connection is less apparent thanks in part to newer artists such as Skrillex and 12th Planet whose productions throw dubby electronica into a hardcore mosh-pit. 


And no grudge there -- youth have a tendency of irreverently kicking the rust out of music styles that have grown stagnant. Punk did just that to rock 'n' roll in the late-70s and rave sub-genres like acid house and breakbeat techno, themselves dubstep precursors, up-ended the Euro-dance and house music status quo. 


But separating dubstep entirely from traditional Jamaican dub music would be like disowning an esteemed family member. Fittingly, a pair of recent comps sets dubstep firmly back in the context of Jamaican sound system music traditions. 


Greensleeves Dubstep Chapter 1, released in November 2011, features original Greensleeves label recordings transformed by some of London's best producers, including The Bug, Coki (pictured right) and Mala of Digital Mystikz, Goth-Trad and Horsepower Productions. It's appropriate that longtime British reggae imprint Greensleeves, a staple through the 1980s and '90s, should hand the keys to its deep vaults over to some of the UKs best dubstep producers, many of whom grew up listening to reggae pirate radio stations playing the label's original releases by Yellowman, Barrington Levy and Scientist


The producers involved took to the catalog without reservations and the results are refreshingly forward-thinking. Notable tracks include Cluekid's (pictured left) subby, minimal treatment of ragga MC Junior Cat's "Caan Eat Mi Out," (a true bass-bin shaker!) while V.I.V.E.K. brings a rootsy steppers arrangement to Johnny Osbourne's "Fally Rankin'," a version that UK dub traditionalists like Manasseh or Aba-Shanti could use in their sets. Other highlights: the inclusion of Coki's remix of Mavado's "Weh Dem A Do" (out for years on white label) and dubstep originators Horsepower Productions' bouncy, tropical treatment of Yellowman's "Zungguzungguguzungguzeng." (get this track free when you Like the Greensleeves Facebook page.) Overall, the full range of current underground dubstep styles -- from jazzy to experimental -- are explored.

For those asking the question, "What took Greensleeves so long?" Bankruptcies and changes of ownership are the answer. In the time between dubstep's birth in the early '00s until now Greensleeves was sold twice, eventually acquired by US company VP Records in 2008. That said, Greensleeves Dubstep Volume 1 is a confident step in the right direction. In the past, UK dance music and foundation reggae walked similar but parallel paths, showing mutual nods of respect when they met. A set like this is a firm handshake between the two relatives, with hopefully many more to come.

GREENSLEEVES CHAPTER 1 : Track Listing:01. Busy Signal and Mavado – Badman Place (Coki-Digital Mystikz remix)02. Ding Dong – Badman Forward Badman Pull Up (The Bug ft. Flow Dan remix)03. Yellowman – Zungguzugguguzungguzeng (Horsepower Productions remix)04. Johnny Osbourne – Fally Ranking (V.I.V.E.K. remix)05. Sizzla – One Love (Mala-Digital Mystikz remix)05. Mavado – Weh Dem A Do (Coki-Digital Mystikz and Undeground Ice remix)07. Admiral Bailey – Jump Up (Terror Danjah remix)08. Gappy Ranks – Stinking Rich (TMSV remix)09. Gyptian – Nah Let Go (LDD remix)10. Pampidoo – Synthesizer Voice (Goth-Trad remix)11. Vybz Kartel – Emergency (Coki-Digital Mystikz remix)12. Junior Cat – Caan Eat Mi Out (Cluekid remix)13. QQ – Tek It To Them (Kalbata remix)14. Barrington Levy – Here I Come (Kromestar remix)

Another compilation showcasing a traditional dub reggae-centered take on dubstep and other electronic bass styles comes from the Renegade Media camp and Canadian dub producer Dubmatix.


Dubmatix Presents Clash of the Titans: The System Shakedown Remixes, sees an international cast remix tracks from Dubmatix's 2010 album System Shakedown. The original album featured his organic dub versions and vocal collaborations with Jamaican pros like U-Brown, The Mighty Diamonds and Dennis Alcapone as well as UK heavies The Ragga Twins and Brother Culture


The set is by no means a strictly a dubstep remix collection. Instead, like the aftershocks of a mighty earthquake, this selection illustrates dubstep and dub-electronic related sub-genres' further transformations. Birmingham's G-Corp do, in fact, bring a UK dubstep vibe to "Wobble Webble," mixed with hints of their signature downtempo beat aesthetic. Drum & bass producer Marcus Visionary delivers an absolutely cracking, in-the-pocket jungle flex on "Rough Likkle Sound," while Victor Rice and Zion Train trod in four-four steppers territory.  Scotland's Mungo's Hi-Fi and New York's Nate Wize also represent the heavier side of dubstep. Both, however, daub their dubs with organic eggae horn blasts, guitar chops,  echoes and effects. The spirit of Jamaican dub is alive and well in their hands. Hear for yourself below.


 Clash of the Titans - The System Shakedown Remixes by dubmatix 

Sunday, January 01, 2012

ForwardEver's Top 15 Reggae Tracks For 2011


1. Sizzla Kalonji "What's wrong with the picture?" (Xterminator) It's fitting that we'd choose one of extraordinary producer Philip "Fatis" Burrell's last creations as this year's top reggae song.  Burell passed unexpectedly this month leaving a void in the conscious roots reggae community. One of Burrell's final productions, the Danger In Your Face riddim, features Sizzla is at his very best. Kolonji exhibits fearless singjay lyrics, hitting every vocal octave and decalring, "What's wrong with the picture? They only paint it to trick ya...Burrell conjured inspired musicianship for this production -- bubbling organs, crisp, bluesy guitar riffs and soaring backing vocals. It stands as proof that the Fatis/Sizzla combination was one that couldn't be beat. We're going to miss him. But Sizzla's tune stands as a testament to his powers. 

2. Kabaka Pyramid  "Free From Chains" ForwardEver recently profiled Kabaka Pyramid, one of the most promising and versatile DJs to enter the scene this in  2011. His Rebel Music EP effortlessly blends modern one-drop reggae and hip-hop vibes. Definitely a talent to watch out for in 2012.
                       
3. Daweh Congo "In This World" (JahYouth) Certain producers have the ability to get the most out of Daweh Congo's uniquely eerie and mystic vocal style. Jah Youth Productions does just that on a track that features an extended mix, drifting dub echo effects and a full-band instrumentation. Congo's lyrics examine the "atomic elements" that allow life to continue while contrasting it with historical events. Intellectual roots, indeed.
           
4. Anthony B  "Sing To Me" (SSI Media) Anthony B plaintively sings "This one's for you my empress, so royal, so loyal..." before lamenting that he didn't realize that the woman he was with was really was the one, the one that sings to his heart. Although Anthony B's socially and politically potent music are his best know numbers, he's also the master of the romantic tune as well.
  
5. Pressure  "Jah Love" (Don Corleon) 2011 was a big year for the Don. Pressure's track on Corleon's The Message riddim was just one reason. Million Stylez "Brighter Day," Cecile's "Rise Up" and  Vybz "Poor People Land" were also top tracks from this riddim set. But Virgin Islands-born Pressure Bus Pipe is a force to be reckoned with. He always drops four or five memorable and lyrically conscious tracks each year and "Jah Love" was his best in 2011.

6. Alborosie "Jahnhoy" and Tarrus Riley "Rebel" (Maximum Sound) Producer Frenchie lends a new school reggae production approach to his 80s rub-a-dub sounding Skateland Killer riddim, featuring Dean Fraser's live saxophone melodies. Sicilian-born Alborosie sings out for "holy I-thiopia," while Tarrus Riley calls on listeners to rebel against wickedness.

7. Stephen Marley "Jah Army" (Tuff Gong/ Universal) This song actually dropped late December 2010, but remained hot all throughout 2011 thanks to combination re-licks featuring Buju Banton and Damien "Jr. Gong" Marley. Stephen’s album, Revelation: TheRoot of Life, on which "Jah Army" also appears, proved to be one of his strongest yet, and the Jah Army riddim set, featuring cuts from Spragga Benz, Jah Cure kept interest strong in this heavy riddim.

8. Chukki Starr "Locked Down” (Necessary Mayhem) Producer Curtis "Necessary Mayhem" Lynch is quickly making a name for himself with hi-tech roots rhythms like the Gorilla Riddim. Watch Lynch at work making the riddim.  ForwardEver favored Chukki Starr's ode to brothers in prison, but also check for Cali P's "Herbalist" and Mr. Williamz 

9. Louie Culture "Judgement Fi Babylon" (True Sounds) Like Kabaka Pyramid's "Free From Chains" and hip-hop remixes of the Billie Jean riddim, True Sounds came out of the gate with this nice 90 bpm uptempo roots-hip-hop number.

10. Courtney John  "Never Keep You Waiting" (Itation Records) Great production from the Itation crew outta California, and Jamaica's Courtney John (formerly Yogie) goes from strength-to-strength on this romantic reggae track, perfect for Valentine's Day (when it was originally released) or any time you want to get close to your beloved.

11. Lutan Fyah  "Burn This AFire" (In The Streets) Produced by Byron Murray and released in July on the Hold U Medz riddim set, conscious roots singjay Lutan Fyah sounds as confident and powerful as always atop this uptempo melody. 

12. G Whizz "Boom Skeng" (Fiwi Music) A nice rub-a-dub revival-type riddim and a young talent making the most of it. G Whizz burst on the scene in 2008 back with the hit "Life," and recreates some of that magic on this positive, danceable reggae track.

13. Peter Spence  "Lovely Here" (Smart Move Records) Lee Francis, owner and producer of Smart Move Records, and son of Studio One great Winston Francis has been on the rise for the past several years with crisp, melody-drenched singles like Peter Spence's "Lovely Here" on the Second Chance riddim (released in 2010, but still lively in 2011). Rumor has it the song may be tapped for use by the Jamaican tourist board, and you can hear why -- the song speaks of the islands pleasures over a relaxed beat. You can feel the tension melt away. Here's to a big year for the Smart Move crew in 2012.

14. Singing Melody "Collide" (VP) Singing Melody is a proficient romantic reggae singer in his own right as well as being one-fourth of the super group L.U.S.T. (comprised of  Lukie D, Thriller U, Singing Melody and Tony Curtis). Melody has often taken on R&B and pop covers and continues that trend with this excellent rendition of Howie Day's 2003 top-40 track "Collide." Watch the poignant full length video below.

15. Ziggy Marley "Foward To Love" Ziggy is the only Marley child to have officially performed at the US White House (in 2009). He's also perennially nominated for the reggae Grammy award, including in 2012 for his most recent album Wild and Free. "Forward To Love" is a folksy four-four rockers reggae tune with a exceedingly catchy chorus. Not the most challenging reggae, but good soup for the soul nonetheless.


Sunday, December 11, 2011

Review: Phil Pratt – Dial M for Murder in Dub

Although producer Phil Pratt has never received the same wide acclaim as King Tubby, Joe Gibbs or Lee Perry, his roots and dub productions rank among some of the late 1970s and early ‘80s best. Early on though, Pratt sang with Ken Boothe in a vocal combo and cut sides such as Reach Out for Ken Lack's Caltone label and later worked with influential producer Bunny “Striker” Lee. Pratt eventually set up the prolific Sunshot label and recorded Dennis BrownBig YouthAl CampbellHorace Andy,Linval ThompsonPat KellyBobby Kalphat and other stars in the mid-to-late ‘70s. Pratt had plenty of rhythms to experiment with from those abundant sessions and Pressure Sounds’ reissue showcases his subtle studio mastery in the dub arena.

This edition of 'Dial M For Murder' features the vinyl album’s original 10 tracks plus four additional dubs recorded around 1979-80 at Channel One. The players include “Riddim Twins”Sly and Robbie on drum and bass, the aforementioned Kalphat and Ansel Collins on keys and piano, Rad Brian on guitar andTommy McCook and Herman Marquis on horns. Like Sly and Robbie’s other recordings as the Revolutionaries (Dawn of Creation,Reaction In Dub), the compositions emphasize Sly’s choppy ta-tat-tat-tat snare flourishes and steady four-four kick drum patterns. Robbie’s bass is commanding while serious organ stabs and eerie reverb-laden guitars fill in the corners and crevices. Pratt exercises austere restraint in the effects and delay department, allowing only minimal snippets of organ, voice, horn or guitar to drift in over the foundational rhythm streams. The effect is mesmerizing.
Songs like Don’t Watch My SizeWalking Razor, or Stinger are classic steppers roots creations -- the kind of sides Jah Shaka is famous for playing at his sessions. The latter is a version of Ken Boothe’s oft covered You’re No Good (originally recorded by R&B starBetty Everett) and is mixed with dramatic peaks and valleys. Tracks like Natty Culture(a fantastic Big Youth version) and Dr. Bash have a bluesy, earthy feel featuring haunting organ runs, while the overall studio mix sounds as pressurized as an inclement storm system. The drums are perpetually submerged in a foggy reverb and vocals just barely emerge for air. In short, this is a dread affair that features glorious Sly and Robbie musicianship and Phil Pratt’s expert touch. No need to call the police, it’s a musical murder them a charge for. 
Review by ForwardEver, originally published in United Reggae.

Monday, December 05, 2011

Newsflash: Dragon Mix And Production Icon Passes

The good folks at Deadly Dragon Sound have an excellent NY dancehall mix out now.

The mix, Deadly Dragon Sound, NYC Vibes Vol 1: The Bad Bwoy Years, was debuted on Large Up for their Mixtape Mondays series. The mix focuses on New York's fertile late-80s/ early 90s period that boasted respected labels like Witty, Gyasi, Shelly Power. Check the miniplayer below to listen right now.

ForwardEver DJ'ed recently at Dragon's weekly radio program on East Village Radio and the vibes of course were niiiice!
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Singer Wayne Wonder is back in true form on the lush, modern lovers rock tune "Love Gets Sweeter." Wayne sounds poised to re-live his "No Letting Go" period with strong tunes like this. 

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Although released without much fanfare on August 16, 2011, Israel Vibration's new album Reggae Knights has been nominated for a 2012 Grammy in the Reggae category. As the video for "My Master's Will" illustrates, this is more meaningful, rootsy music from Cecil "Skelly" Spence and Lascelle "Wiss" Bulgin -- two-thirds of the original IV trio, and reggae royalty in their own right.

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A great Jamaican producer has left us. Philip "Fattis" Burrell, the founder of the Xterminator label and the man behind some of the biggest hits by Sizzla, Berres Hammond, Luciano, Capleton, has died in hospital after suffering a stroke. It was only a few months ago -- after a hiatus from music -- that new Xterminator material by Sizzla and Jesse Royal started to surface -- great music. His sound and technique will be missed. Read Howard Campbell from the Jamaica Observer's reflection, New York Times profile and Billboard's very thorough remembrance.










Thursday, November 03, 2011

Killing It Lovely: Digikiller's Reissue Treasures


Just when you thought Serato and digital DJing would completely take over,  Digikiller Records has been quietly balancing the scales with dozens of high quality reggae reissues on vinyl.


Sure, the name is cheeky, but their craft is deadly serious. These are well-pressed singles on 7", 10" and 12" vinyl that offer many crucial missing pieces to reggae enthusiasts who love Jamaica's fertile 1970s and '80s sounds.


A recent glance at the Digikiller blog revealed the following new (reissue) titles:





DKR-064-JJ - CLARENCE PARKS - THINGS A COME UP TO BUMP / DUB 10"
DKR-080-JJ - DON ANGELO - GENERAL / MIX DOWN STYLE VERSION 7"
DKR-081-JJ - JOHN HOLT / REVOLUTIONARIES - LOVE & UNDERSTANDING / PEACE 10"
DKR-082-JJ - LEROY SMART - OH MARCUS / VERSION 7"
DKR-083-JJ - I-ROY - TRIBUTE TO MARCUS GARVEY / VERSION 7"


But grab these while they're hot -- retailers like Ernie B can't keep them in stock. 


And the genius behind this label is that they don't just offer hits but also deal out obscure yet still laudable titles by artists such as Prince Junior, Black Oney and Reggae George -- performers who were hard to find back then. It's a bit like reggae anthropology, tracing all the connections between the artists and labels, but music is the reward.

Monday, October 31, 2011

Still A Forward On

Where's the blog been? Yes, it's been a while since our last post, but ForwardEver is still deh ya!


There's a lot to catch up on -- and we will in future posts -- from new reissues for Sugar Minott and Gregory Isaacs, to Dubmatix latest remix album and singles galore.


In the meantime, please check the recent piece on Shaggy I wrote for Magnifier. And if you sign up for a Music Beta account from Google, you'll get a couple of free tunes as well. Same goes for this Don Corleon feature.


Pictured to the left is singjay Lutan Fyah, who many reggae fans feel is at the top of his game right now. Check out his latest track "Mi A Ras" and catch him live in California in November. Find Bay Area dates for Lutan, and also St. Croix's premier roots group Midnite over at DeeCee's Soul Shakedown site.




Speaking of Midnite (pictured below) -- their new album Kings Bell drops Tuesday November 1 on I Grade Records, and from the preview we've heard, it's brilliant.  The group is foremost know for its pensive, meditative songs that glide a long unhurriedly. By contrast, several numbers on the new album are up-tempo, but no less intellectually rootsy than what fans have come to expect. Expect to be pleased and surprised.


Finally, if you haven't picked up Colin Grant's excellent recent book I&I: The Natural Mystics (read and excerpt), it's absolutely essential reading for anyone interested in Jamaican history, Marcus Garvey or the original Wailers trio, Bob, Bunny and Peter. Check this video interview for a taste.




Saturday, September 03, 2011

Adrian Sherwood: On-U Sound At 30


British dub producer Adrian Sherwood is celebrating his label On-U Sound's 30th anniversary. 

Read a preview of ForwardEver's piece in the SF Weekly below. Then scroll down for out-takes and additional material!
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British producer Adrian Sherwood's life and music have come full circle. Thirty years ago, London's streets were wracked by inner-city riots. Then as now, police harassment and a grim economy drove citizens to revolt. By 1981, punk was in its death throes as New Wave pop and post-punk music rushed in to fill the void. In the shadows stood Adrian Sherwood, a part-time record distributor and music fanatic who launched On-U Sound as a vehicle to promote experimental dub productions.

Three decades and hundreds of releases later, On-U Sound is revered by generations of dub, industrial, and electronic music aficionados and lauded by critics as one of the U.K.'s most important independent labels, its output and influence comparable to Rough Trade or Factory.
The label has released reggae projects by Dub Syndicate and Lee "Scratch" Perry; psychedelic world grooves by African Head Charge; plus edgy industrial hip-hop and dance beats by Mark Stewart, Tackhead, and Strange Parcels. Sherwood has also produced and remixed Nine Inch Nails and Depeche Mode, worked withSugar Hill Gang's rhythm section, and recorded two albums for Peter Gabriel's Real Worldimprint. He remains active in the studio and onstage mixing live dub sessions that feature British reggae artist Brother Culture on the mic.
For On-U Sound's 30th Anniversary tour, Sherwood and Culture join San Francisco's DJ Sep Ghadishah to celebrate another milestone: Dub Mission's 15th year of weekly dub, dubstep, roots, and dancehall sessions at the Elbo Room. Ghadishah says she wanted to invite a guest who directly influenced her DJ work. "[On-U Sound] took me from the music I loved — post-punk, indie, experimental — to the music I came to love even more: dub, reggae, and electronic," she says. "It helped grow my musical tastes exponentially."
Other music experts concur that On-U Sound has made a significant impact. Steve Barrow, Blood and Fire Records cofounder and coauthor o fReggae: The Rough Guide, says that Sherwood laid much of the U.K. dub scene's foundations. Likewise, Dub.com's DJ Dublinator reckons that anyone who has heard On-U's '80s and '90s sample-delic DIY productions knows the impact the label had on artists like M/A/R/R/S, Coldcut, or even Aphex Twin. "On-U Sound may be small in name recognition," he says, "but it's huge in influence."
Over the years, Sherwood has endured disastrous distribution deals and the deaths of key On-U Sound artists, including Michael "Prince Far-I" Williams and Jarret Lloyd Vincent (aka Bim Sherman)."I've got some very fond memories of the last 30 years and also some very sad ones, friends who've died and all sorts of things that have gone on," he says. "But the job is to keep the creative fire burning and do good works. That's my agenda."  Read the rest of the post here.
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SHERWOOD ON HIS US VISIT: "I’ve neglected in the States or a number of years. It’s almost like I’ve died out there. I’m looking forward to being there for the anniversary. I’m also going to go over to New York to work on other things while I’m out there. I might do some studio work. I’m doing a workshop in New York and I’m going to see the people from Eventide to get some more equipment."
ON MEETING BROTHER CULTURE: "We’ve been working together now for well over a decade. The first tune Brother Culture recorded was done at my studio with the singer Little Roy. I’ve known him quite a while. We’ve been everywhere from Italy to Mexico and Brazil – all over the place."
ON BRITAIN'S RECENT CIVIL UNREST:
"Historically, from the '50s through the '90s there have been riots. The social set up in England has a disproportionate sharing of wealth. Now, the result of Thatcherism, the price of living in England is impossible. One room might cost you $1400 a month. For one fucking room! They’ve sold all the housing stock and created this crazy imbalance. They’ve sold all the youth clubs off and started this thing called ‘Stop and Search’ -- basically a re-introduction of the Sus [suspected person] laws from the ‘70s, which means a lot of Black and Asian youth get stopped and searched a lot. Any excuse to have a go, you can see what happens. It’s an expression of people who have nothing to look forward to."

SHERWOOD ON PRINCE FAR-I:
"He was fantastic. He loved ultra-slow one-drop [reggae rhythms], that was his whole vibe – really heavy, minimalist songs because he knew that suited his voice. I tried to compliment it. He would do unexpected things like Elvis impressions and other things, he liked a good laugh. But he had another side where he thought people were working witchcraft on him."



SHERWOOD ON BIM SHERMAN:
"I was his number one fan. I actually brought him to England in 1979. His voice was like nothing I had ever heard and I love his lyrics and thought he was an amazing artist. We forged a long friendship. He recorded several songs for me but his main body of work was on his own label, Century. He was a very fiercely proud independent producer as well. He was softly spoken but he could curse someone out the same way. He was a lovely bloke."


SHERWOOD ON LEE "SCRATCH" PERRY:
"Lee is fantastic. He believes if you go into the studio something magical is going to happen, something spiritual; he believes it’s God’s work. I don’t know many artists with that attitude. Lee will light candles in the studio all around the room to create that ambiance that something magical will occur and that’s how he lives his whole life. I call him the Salvador Dali of dub; everything he does is work of art. You know you’re going to get something interesting even if you get the worst of him or he does a rubbish gig. When he’s good, it’s like shivers-up-the-back good. He’s got the spirit of a child, and that comes through in his work. Children love Lee Perry stuff because of the mad, silly little things going on."
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Steve Barrow (Blood & Fire Records) Favorite On-U Releases:
North Of The River Thames, which is an affectionate Pablo pastiche from 1984, and the late Bim Sherman's set Miracle. The latter is a beautiful 'fusion' record that actually works by combining disparate elements into a coherent whole, and establishes a new sub-genre: acoustic drum-less reggae with Indian playback strings!
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Mark Stewart 
An Interview with the man behind The Pop Group and contributor to On-U's Singers & Players, Mark Stewart & The Mafia.

FE: Describe the recording session for Learning To Cope With Cowardice, what was it like to work with Adrian then?

Mark Stewart: I had already started working with Dennis Bovell on Cowardice. But hooking up with Adrian’s open mindedness and my sense that nothing is sacred allowed us to sculpt some Gustav Metzger-like constructs beyond the limits of time and space. Taste is a form of personal censorship.

On-U sound recordings inspired many other dub, punk and industrial music generations. How do you feel about that legacy?

When you crash genres and sounds people run off with alchemical sparks in different directions. 

What artists inspire you?
I feed on nutrients as diverse as Keith Levine’s guitar, who I’ve just had the pleasure of working with again and [filmmaker] Kenneth Anger, another hero I’ve just worked with, to Lee Perry, again another collab, so it’s a bit like passing around the other.

What new projects are you working on?
Art interventions and viral xplosions in the heart of the commodity. Plus a big new album in Feb.
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Look for these 2011 On-U Sound Reissues and releases

New Age Steppers – New Age Steppers (On-U's first release) reissue
Creation Rebel Starship Africa (A seminal psychedelic dub album) reissue
Singers & Players – Singers & Players reissue
African Head Charge Off The Beaten Track reissue
African Head Charge Voodoo Of The Godsent (A new album from this stalwart On-U act)